fbpx

Auckland Choral’s Messiah is the quintessential Christmas event for music lovers.

Handel composed Messiah in just 24 days and by the end, he knew he had composed an enduring masterpiece. Soon after its first performance in 1742 it was established as a national treasure, before the Victorians made it the rock on which an entire choral tradition was built. Back then, vocal and orchestral forces of literally thousands would perform Messiah. 

Dazzling vocal solos such as the heartfelt ‘I Know That My Redeemer Liveth’, the noble ‘The Trumpet Shall Sound’ and the exalted ‘Hallelujah Chorus’, along with instrumental fireworks and glorious choral writing ensure this concert is an essential highlight of the choral year.

Celebrate the season as your Auckland Choral and Pipers Sinfonia, along with stunning Australasian soloists, perform one of the most inspiring musical works ever written.

Hallelujah!

 

Jennifer Barrington soprano

Kristin Darragh mezzo-soprano

Jared Holt tenor

Wade Kernot bass

Uwe Grodd conductor

Pipers Sinfonia

Sunday 13 December, 5.00pm and Monday 14 December, 7.30pm

Auckland Town Hall

 

 

ticketmaster.co.nz
09 970 9700

Join our mailing list

Facebook

Support us

Enter Amount

Auckland Choral 100th Hallelujahs Documentary

Watch the full documentary of about Auckland Choral's 100th consecutive performance of Handel's Messiah: 

 

Who we are: Get to know some of our choir members

  • John Stevenson

    Picture of John StevensonJohn has a passion for choral singing and has been a singing member of Auckland Choral for 30 years. He has been fully involved in the society throughout that time serving for 20 years on the Auckland Choral Management Committee, much of that time as Deputy Chairman of the Committee,, and for several years as Chairman of the Finance sub-committee. 

    John is a current Trustee of both Auckland Choral and Auckland Choral Foundation, the later as a founding supporter.

     
  • Sandy Bulmer

    Picture of Sandy BulmerLike so many contraltos, I first got put in the alto section as a school girl because I could read music and manage to sing a line of harmony. I joined Auckland Choral when I was in high school and now I’ve been a member for 40 years! I started singing with my mum as a toddler, sitting on her knee while she played the piano and sang soprano and tenor Messiah arias. I used to come to Auckland Choral’s Saturday dress rehearsals in the Town Hall and follow the score in my early teenage years, and it was a natural step to join Mum in the choir when I was 15. I remember Choral Hall in Airedale Street where we used to meet (before Mayoral Drive was built). It was a dusty old building and freezing in winter, but the ladies in the alto section were very kind to me and welcomed me into the back row. Nothing really changes in that respect; the Auckland Choral altos today are a great bunch of people as well!

     
  • Tom Bishop

    Picture of Tom BishopTom Bishop was born in Australia, but has spent more than half of the time since out of it. He started choral singing at the age of nine in the fourth grade, where his teacher, a tall, elegant “confirmed bachelor” embraced new methods of education, which mostly consisted of allowing the class to run wild, but managed somehow to hold onto the idea of discipline enough to conduct the School Choir. In addition to singing, he also mangled the clarinet. Since then he has sung in high school, at University, at work, for work, in his spare time, and in less likely venues such as showers, streets and supermarkets, sometimes to the amazement and annoyance of partners, his children, and random passers-by. More formally, he has sung with the Yale Glee Club, the Cleveland Orchestra Chorus, and the Cleveland Early Music Singers, and has been fortunate to work with conductors such as Fenno Heath, Robert Shaw, Pierre Boulez, Richard Hickox, Simon Rattle, and Christoph von Dohnanyi, as well as Uwe Grodd. In his non-singing time, he teaches at the University of Auckland, where he lectures principally on Shakespeare and Drama. He is pleased to be a Tenor 1 because it means he gets a break at auditions.

     
Go to top