fbpx

Support Auckland Choral

The fallout from COVID-19 has hit the arts sector particularly heavily, with concerts worldwide cancelled: artists, groups and venues left without any certainty as to their future. For the first time since the influenza epidemic of 1918 (which caused the cancellation of our Elijah & Messiah concerts) we too were forced to cancel our last concert, Haydn’s The Seasons - at significant financial cost.

Now, more than ever, we are seeking donations, gifts in kind, sponsorships and bequests to ensure Auckland Choral can continue its day-to-day operations and performances in the future.

If you or your company would like to support us, please consider donating or becoming a sponsor. Contact Carey McDonald on admin@aucklandchoral.com for more information

 

Auckland Choral is Auckland’s symphonic choir. For its concert series in 2020, it is offering two awards for student compositions - one for secondary school and one for tertiary age students. A prize in each category is offered for the best work, as selected by an adjudicator nominated by the choir’s management committee. The choir will schedule the winning works during 2020.

Competition regulations

1. The work should be written for a symphonic choir (around 100 voices).

2. The work will be for SATB choir (with limited divisi of parts) and organ. Vocal ranges should be suitable for a choir consisting largely of community singers.

3. The duration of the work will be no more than 5 minutes.

4. The work should use a text by a NZ poet or writer. The text should be related to NZ nature, or history, or a specific place in our country. Obtaining copyright permission for the text is the responsibility of the composer.

5. The score should be laid out using conventional choral formatting. Care should be taken with word underlay. In the case of the winning work, the submitted score should be ready for duplication. Composers grant the choir permission to make further copies for performance at no additional fee. 

6. Submitted works should not have been performed or published previously.

7. Copyright on the music is retained by the composer. The composers of the winning works will allow Auckland Choral to present the premiere performance of the pieces. The winning composers will be expected to attend the premiere although no additional financial support is likely to be available for composers attending from outside Auckland.

8. Entries are to be submitted anonymously. The score should have a nom de plume in place of the composer’s name. The score will be submitted electronically (as a PDF file) with an accompanying email giving the title of the work, the nom de plume used on the score, and contact details. An audio file of a computer realisation (MP3 preferred) may also be included with the submission.

9. Composers must be a New Zealand citizen, or normally resident in New Zealand.

10. Two prizes are offered:

(i) one prize of $500 for students currently (2019) enrolled at a secondary school (or if home-schooled, of secondary school age)

(ii) one prize of $750 for tertiary age students with an upper age limit of 26 years as at 31 December 2019

11. The choir reserves the right to make no awards if scores do not reach a satisfactory standard.

12. Deadline for entries is 20 March 2020 (updated date).

13. Entries, and any queries, should be sent to:

This email address is being protected from spambots. You need JavaScript enabled to view it.

Facebook

Auckland Choral 100th Hallelujahs Documentary

Watch the full documentary of about Auckland Choral's 100th consecutive performance of Handel's Messiah: 

 

Who we are: Get to know some of our choir members

  • Rachel Kania

    Picture of Rachel 
KaniaHi, I’m Rachel. (‘Arty Rach’ as opposed to ‘Curly Rach’ – There are two of us!)
    This is my 8th year with Auckland Choral and I LOVE IT! LOVE IT! LOVE IT!
    My competing passions are swimming and painting. I also dabble in poetry and am launching into a German language class this year.
    Singing with Auckland Choral gives me balance in my life and contributes to my physical and mental wellbeing. (…and of course, my social life!)
    I am so grateful to Uwe, Elizabeth and all my choir friends for welcoming me so warmly into the ‘family’.

     
  • Garnet Tregonning

    Picture of Garnet TregonningGarnet has a long involvement with Auckland Choral after his first introduction to singing in Lead Roles in Gilbert and Sullivan Operettas at Kings High School in Dunedin,followed by being a member of Capping Sextet at Otago University with Sir William Southgate in the 1960s.

    First joined the Choir under Ray Wilson in 1968-71 as a Junior Doctor before travelling Overseas for Orthopaedic Training in Canada and the UK.Rejoined under Bill Power 1976-1986 then again in the mid 1990s up to the present time-so have been a member on and off over some 47 years.Was a committee member for 5 years and continue to be inspired by the opportunity to be a member of the Choir which I believe continues to improve and I believe is currently performing at its highest level over the past 40 years –no doubt due to the superb direction of Uwe and the support of Elizabeth and the wonderful Vocal Coaches.

    Currently working full-time as a Consultant Orthopaedic Surgeon at Middlemore Hospital. 

     
  • Nigel High

    Picture of Nigel HighNigel grew up choral singing with the choirs of Kings School and Kings College in Auckland, but then took a break for the next 30 years while focusing on his career as a Consulting Engineer in Ottawa Canada where he moved with his wife in 1981. Later he joined a choir in Ottawa as a way of relieving the stresses of the daily grind, and found that he really enjoyed the challenge, stimulation, and therapy that choral singing provides. He sang with Coro Vivo Ottawa and the Ottawa Festival Chorus for many years, and part time with Auckland Choral since 2006 on his many visits back to New Zealand, before moving back to Auckland with his wife Ming, last year.  He sings as a Tenor 2.

    He thoroughly enjoys the music and camaraderie of Auckland Choral, and the high standards demanded by the professional team headed up by Uwe Grod.  While not singing, he spends as much time as possible sailing on the waters of the Hauraki gulf, and since retiring is a keen traveler and cruiser.   

     
Go to top