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Missa Gaia & Lullabies concert banner

 

‘One of auckland Choral’s most standout performances in 28 years’

John Stevenson, choir member

 

Paul Winter&Paul Halley’s radical Missa Gaia (Earth Mass) for soprano, choir and jazz ensemble published by Pelagos Music

Paul Winter’s radical Missa Gaia (Earth Mass) adeptly combines a variety of genres to create a musical spectacle that appeals to all. Premiered in 1981, it is a 20th century interpretation of the Mass, embracing the many voices of the earth, from jazz to the sounds of wolf, whale and lion. Conductor Brian Law is synonymous with the Missa Gaia and Auckland Choral is very excited to perform this work under his baton.

As an organisation dedicated to New Zealand music, we open this concert with a new commission from New Zealand composer Anthony Ritchie. Anthony is well-known at home and abroad and produces works that are engaging, energetic and beautifully crafted – qualities this new work for soprano, girls’ choir, chorus and organ achieves superbly.

 

Emma Roxburgh, Soprano

Jennine Bailey, Soprano

Auckland Choral

St Cuthbert’s College Song Squad

Junior Black Watch Singers

Brian Law, Conductor

Pipers Sinfonia:

Alison Dunlop, Oboe

Sarah Spence, Cello

Timothy Noon, Organist

Roger Manins, Soprano Saxophone

Olivier Holland, Acoustic Bass

Ron Samson, Drums

Kevin Field, Piano

 

Lullabies was commissioned by The Auckland Choral Society for their 2015 season, and will be premiered on 6th June, in The Holy Trinity Cathedral, with funding from Creative NZ. It is a cycle of six songs, to be performed without a break, to poems by Elena Poletti, a Dunedin-based poet. Lullabies are common to all cultures, and are richly varied in their themes and moods. These six lullabies traverse different perspectives, both adult and child. ‘Shush-a-shush’ has a parent calming her child to sleep through images of the sea and beach. In ‘Little One’ it is gentle rain than lulls the child to sleep. ‘Sounds of Penguins’ makes a comparison between little blue penguins under a house, and children busily preparing for bed. The moonlight, wind, waves and lighthouse all conspire to finally calm them down. In ‘The Nightsingers’ it is the sounds of tree-frogs, ruru (morepork), and cats that accompany the lullaby; they are presented one by one and then are combined in the coda. ‘Beddington’ is a frisky lullaby for children to sing, and including a round and a ‘Monster-Munch-Up’ chant. The final song ‘Hope of my heart’ reflects on a child’s future, and remembers the passing of a sister and child (represented in the song by the childrens’ voices as echoes). All the forces come together in this song, to round off the cycle.

 

Saturday 6 June 7.30pm

Holy Trinity Cathedral

 

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Auckland Choral 100th Hallelujahs Documentary

Watch the full documentary of about Auckland Choral's 100th consecutive performance of Handel's Messiah: 

 

Who we are: Get to know some of our choir members

  • Garnet Tregonning

    Picture of Garnet TregonningGarnet has a long involvement with Auckland Choral after his first introduction to singing in Lead Roles in Gilbert and Sullivan Operettas at Kings High School in Dunedin,followed by being a member of Capping Sextet at Otago University with Sir William Southgate in the 1960s.

    First joined the Choir under Ray Wilson in 1968-71 as a Junior Doctor before travelling Overseas for Orthopaedic Training in Canada and the UK.Rejoined under Bill Power 1976-1986 then again in the mid 1990s up to the present time-so have been a member on and off over some 47 years.Was a committee member for 5 years and continue to be inspired by the opportunity to be a member of the Choir which I believe continues to improve and I believe is currently performing at its highest level over the past 40 years –no doubt due to the superb direction of Uwe and the support of Elizabeth and the wonderful Vocal Coaches.

    Currently working full-time as a Consultant Orthopaedic Surgeon at Middlemore Hospital. 

     
  • David Hamilton

    Picture of David HamiltonDavid Hamilton has been singing with the choir since 1982, and is currently President of Auckland Choral. He is a music educator, composition tutor, choral conductor and adjudicator. He has been Deputy Music Director of Auckland Choral (1996-2011) and Composer-in-Residence with the Auckland Philharmonia Orchestra (1999). In 2013 he was guest composer at the national choral event Sing Aotearoa, and in 2015 composer-in-residence at the NZ Singing School. He has won a number of international composer competitions (Italy, USA, UK, and Israel) and in 2014 “Wairua” for solo harp took 1st place in the NZ Harp Society’s competition. In 2016 “American Triptych” took 1st place in a competition for the Stockton Chorale (USA). In 2017 “Are We There Yet?” took 1st place in the Australia and NZ Viola Society composer’s competition, and “Cling to Me” was placed third in the 4th Komos Choral Composition Competition (Bologna, Italy). The choir has commissioned a number of works from him, most recently “Erebus” (2015), and in 2019 will perform “Homecoming – Te Hokinga Mai”. His choral music is widely performed, especially by school and community choirs, and is published in the UK, USA, and Finland. His website is: www.dbhmusic.co.nz

     
  • Marion Hammond

    Picture of Marion HammondMarion has been a member of Auckland Choral since 2008 and has recently become both a trustee and the Treasurer of the Foundation. She is responsible for all the financial transactions undertaken by the Foundation and prepares the year end accounts and reporting requirements required by the Charities Services. She also works closely with the Auckland Foundation with whom we have a partnership and together are working hard to fund choral singing in Auckland and New Zealand.
    Professionally working as an accountant for a property management firm Marion also utilises her skills as Treasurer for the Auckland Dragon Boat Association, a role she has held for over nine years. Her background also includes volunteering for Amateur Theatre Companies in production and management roles which have furthered her knowledge of voluntary organisations.

     
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