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Missa Gaia & Lullabies concert banner

 

‘One of auckland Choral’s most standout performances in 28 years’

John Stevenson, choir member

 

Paul Winter&Paul Halley’s radical Missa Gaia (Earth Mass) for soprano, choir and jazz ensemble published by Pelagos Music

Paul Winter’s radical Missa Gaia (Earth Mass) adeptly combines a variety of genres to create a musical spectacle that appeals to all. Premiered in 1981, it is a 20th century interpretation of the Mass, embracing the many voices of the earth, from jazz to the sounds of wolf, whale and lion. Conductor Brian Law is synonymous with the Missa Gaia and Auckland Choral is very excited to perform this work under his baton.

As an organisation dedicated to New Zealand music, we open this concert with a new commission from New Zealand composer Anthony Ritchie. Anthony is well-known at home and abroad and produces works that are engaging, energetic and beautifully crafted – qualities this new work for soprano, girls’ choir, chorus and organ achieves superbly.

 

Emma Roxburgh, Soprano

Jennine Bailey, Soprano

Auckland Choral

St Cuthbert’s College Song Squad

Junior Black Watch Singers

Brian Law, Conductor

Pipers Sinfonia:

Alison Dunlop, Oboe

Sarah Spence, Cello

Timothy Noon, Organist

Roger Manins, Soprano Saxophone

Olivier Holland, Acoustic Bass

Ron Samson, Drums

Kevin Field, Piano

 

Lullabies was commissioned by The Auckland Choral Society for their 2015 season, and will be premiered on 6th June, in The Holy Trinity Cathedral, with funding from Creative NZ. It is a cycle of six songs, to be performed without a break, to poems by Elena Poletti, a Dunedin-based poet. Lullabies are common to all cultures, and are richly varied in their themes and moods. These six lullabies traverse different perspectives, both adult and child. ‘Shush-a-shush’ has a parent calming her child to sleep through images of the sea and beach. In ‘Little One’ it is gentle rain than lulls the child to sleep. ‘Sounds of Penguins’ makes a comparison between little blue penguins under a house, and children busily preparing for bed. The moonlight, wind, waves and lighthouse all conspire to finally calm them down. In ‘The Nightsingers’ it is the sounds of tree-frogs, ruru (morepork), and cats that accompany the lullaby; they are presented one by one and then are combined in the coda. ‘Beddington’ is a frisky lullaby for children to sing, and including a round and a ‘Monster-Munch-Up’ chant. The final song ‘Hope of my heart’ reflects on a child’s future, and remembers the passing of a sister and child (represented in the song by the childrens’ voices as echoes). All the forces come together in this song, to round off the cycle.

 

Saturday 6 June 7.30pm

Holy Trinity Cathedral

 

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Auckland Choral 100th Hallelujahs Documentary

Watch the full documentary of about Auckland Choral's 100th consecutive performance of Handel's Messiah: 

 

Who we are: Get to know some of our choir members

  • Becky O'Gram

    Picture of Becky O'GramMy earliest memories of singing were car songs, where my sisters and I were squashed in the back of the car while my mother lead the chorus from the front. I started singing in small groups and choirs at age 12 for church events and friends' weddings. I've been a member of some form of choir ever since and now count myself very lucky to be a member of Auckland Choral. I joined in January 2017, with my first concert being the huge St John Passion by Bach. We performed it at the Holy Trinity Cathedral, in German! Singing out that first loud "Herr" gave me goose bumps and was an unforgettable experience. In December that year I got to perform in the Messiah for the first time and hope to do the same every Christmas for a long time to come.

     
  • Nicola Burton

    Picture of Nicola BurtonHi, I’m Nicola – Alto 2. I joined the choir 6 years ago and absolutely love it! For me, it is the perfect blend of people, community, fabulous music, the opportunity to perform, feeling uplifted every single rehearsal and a good dose of challenge (it’s tough getting all the pronunciations right, and actually learning the music!)
    I have been involved with the Management Committee and the Marketing committee for the choir since I joined. It’s amazing just how much hard work and dedication goes into the running of the choir and ensuring our performances are of the highest musical standard – it’s a privilege to be part of it.
    When not in choir I am a busy working mum with two teenage children and a great husband! We have a real love of the outdoors. I always have some sort of crazy goal involving a marathon or sea swim or adventure race and we love exploring NZ walking tracks – what a great country we live in. Ah yes – I love a decent Pinot Noir too!

     
  • Alison Miller

    Picture of Alison MillerHi, I’m Alison Miller. I have been singing all my life, as both my parents had good voices, and we followed in their footsteps. I’ve sung in both church and community choirs, but when I was a pupil in the EGGS choir, we sang the third chorus part in St Matthew Passion in the Town Hall with Ray Wilson conducting and I was smitten. Years later when we returned to Auckland, and heard Auckland Choral singing Brubeck’s Light in the Wilderness in 1969, I knew I had to belong to this magnificent choir.. I joined in 1970 as a soprano 1, and have been a member since then, with the first concert being Walton’s Belshazzar’s Feast, with 6 weeks rehearsal time.
    Various committee positions have kept me involved, and I was secretary (in those days - a very basic General Manager) for 7 years, before taking on the Librarian’s position. I was very proud to see our daughter Sandy join Choral while she was still at school, and when I joined the alto line I remember her moral support for me as a new alto. Auckland Choral is my life and the members are my music family, which I am very conscious of every time we perform on stage. Unfortunately I have had to take leave on several occasions because of ill health, but one positive to that is I’ve been in the audience to witness the choir’s great presentations from in front of the stage.

    Away from choir and family, I take a team of handbell ringers who meet each week in East Auckland.

     
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