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Gallipoli to the Somme concert banner

Anthony Ritchie Gallipoli to the Somme | Léonce de Saint-Martin Paraphrase du Psaume 136 | Jeanne Demessieux Te Deum

 

Celebrating experiences of ordinary people

Anthony Ritchie’s secular cantata Gallipoli to the Somme had a rapturous world premiere last October in Dunedin, and has so far been broadcast twice on RNZ. Premiering in this concert, Anthony Ritchie has prepared a version with an ensemble and organ. Against the backdrop of a horrific war, Ritchie celebrates the experiences of ordinary people from their songs, diary entries, letters, and poems, all brought into irresistible musical life. The Otago Daily Times reviewer was ecstatic. “After the final chord,” she said, “complete silence held the audience before prolonged applause and a standing ovation rewarded this brilliant new work.”

Jenny Wollerman soprano

Jarvis Dams baritone

Philip Smith organ

Uwe Grodd conductor

Pipers Sinfonia Ensemble

 

 

 

 

Saturday, 14 April, 7.30pm

Holy Trinity Cathedral

$56, concession available

eventfinda.co.nz / 0800BUYTIX / 09 365 2342

 

Elizabeth Thomson Caldera (detail), 2012

Courtesy of the Artist and Two Rooms, Auckland

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Auckland Choral 100th Hallelujahs Documentary

Watch the full documentary of about Auckland Choral's 100th consecutive performance of Handel's Messiah: 

 

Who we are: Get to know some of our choir members

  • Luis Garcia

    Picture of Luis GarciaOriginally from Leon Mexico, Luis joined Auckland choir in 2013. He is a system engineer with great passion for singing. When he went to listen to the choir practice in an open rehearsal for the first time, he was enchanted by it, and he’s been singing with the choir ever since. His favorite concert has been “Dream of Gerontius” composed by Sir Edward Elgar in 1900. He joined the choir as a Bass and two years later he made the transition to Tenor. 

    Luis first studied overseas in 2005 when he enrolled in an English course at the Australian College of English in Sydney. He’s currently involved in a program by the New Zealand Ministry of Education to upgrade the schools' wireless systems all across the country. Luis is very passionate about music, technology, science, spirituality and meditation.

     
  • Traude Leibbrand

    Picture of Traude LeibbrandTraude has been a choral singer since 1998 and she is the immediate past Chair of Auckland Choral. In this role she has been instrumental in updating the way the organisation operates and she has learnt valuable lessons about running a voluntary, community based organisation - something she feels very passionate about.  As a health professional running her own business, she is aware of the many positive effects that choral singing has on one's well-being - physically, mentally and socially. 

    In 2015 she was invited to become a trustee of the Auckland Choral Foundation, a role in which she can continue to actively contribute to develop and nurture choral singing in New Zealand, and Auckland Choral in particular.

     
  • Keith Guyan

    Picture of Keith GuyanKeith spent most of his life as a self-employed freelance graphic designer after graduating with a degree in fine arts. Over several further years of study he obtained professional qualifications in advertising, marketing and tertiary teaching, enjoying being a tutor for fifteen years introducing graphic design to young students, then seven years as a part-time senior lecturer in graphic design at AUT University. He has been a self-taught church organist from the age of thirteen, and since 2002 he has been the Parish Elder, Administrator and Organist in the large multicultural Onehunga Co-operating Parish. His love of singing, church and organ music was nurtured from an early age in a musical family. Since 1980 he has sung Bass in Auckland Choral, conducted by Ray Wilson, Peter Watts, Professor Uwe Grodd and many other inspiring and talented musicians. To quote from Hallelujahs & History  “...for bass Keith Guyan, Auckland Choral has everything: thrilling repertoire, inspiring conductor, friendly and caring singers, satisfying discipline, high musical standards and the privilege of performing some of the masterpieces of choral writing”.

     
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