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Banner for Haydn Nelson Mass and Hamilton Homecoming

Stamitz Sinfonia a Quattro in A | Hamilton Homecoming, Te Hokinga Mai (2018) | Haydn Nelson Mass, Mass for troubled times

Originally called Missa in Angustiis, Mass for Troubled Times, Haydn’s mighty choral work is now forever associated with Admiral Nelson’s victory over Napoleon. Haydn wrote it at a time of intense fear for the future of Austria and the sense of urgency and the unknown can be felt throughout the work.

David Hamilton selected Vincent O’Sulivan’s poem ‘Home Coming – Te Hokinga Mai’, to commemorate the 100th anniversary of the end of World War I. David was drawn to the energy and joy of the country welcoming home its soldiers. One of the most influential figures in European music during the mid-eighteenth century, Johann Stamitz, composed 58 sinfonias. The then cutting-edge mini-symphonies of Stamitz were both energetic and sensuous. The ‘Sinfonia A Quattro in A’ is a fitting overture.


Uwe Grodd conductor

Anna Leese soprano

Kate Webber mezzo-soprano

Jared Holt tenor

James Harrison baritone

Auckland Choral

Pipers Sinfonia

 

Saturday 4 May 7.30pm

Holy Trinity Cathedral

 

 

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Auckland Choral 100th Hallelujahs Documentary

Watch the full documentary of about Auckland Choral's 100th consecutive performance of Handel's Messiah: 

 

Who we are: Get to know some of our choir members

  • Maria Millar

    Picture of Maria MillarHi! I'm Maria Millar. I'm an Alto 1, and also convener of the Auckland Choral Music Committee. I first joined Auckland Choral in 2015, in time for the Missa Solemnis. I come from a musical home, with a Dad who played Organ at church and piano for the local pantomines and performances. Thanks to his influence, I've sung for most of my life. I studied singing with Margaret Medlyn when I lived in Wellington, as well as singing simultaneously with both the Bach Choir and the Orpheus Choir. I was also a performer in two International Festival of the Arts operas: Salome and Madam Butterfly. I lived in Sydney for three years, and stepped away from the predominantly classical choir style, and sang with the gay & lesbian choir, whose repertoire was more contemporary in nature. Then, in 2001 I moved to London, and while there returned to my classical roots and sang with the Wimbledon Choral Society for a number of years. I took a bit of a break from singing when my two children came along, finding it a struggle to juggle full time work and a young family. It was when we finally moved back to NZ in 2014 that I decided it was time to get back into singing. I returned to singing lessons under the tutelage of Claire Martin, and joined the Auckland Choral Society, which was exactly what I was looking for. By day, I work as a marketing researcher and strategist, a job which I've been doing for 20 years, and which has taken me all over the world. When I'm not working or singing, my happy place is in the kitchen. I love to bake - bread, cakes, anything!

     

     
  • David Hamilton

    Picture of David HamiltonDavid Hamilton has been singing with the choir since 1982, and is currently President of Auckland Choral. He is a music educator, composition tutor, choral conductor and adjudicator. He has been Deputy Music Director of Auckland Choral (1996-2011) and Composer-in-Residence with the Auckland Philharmonia Orchestra (1999). In 2013 he was guest composer at the national choral event Sing Aotearoa, and in 2015 composer-in-residence at the NZ Singing School. He has won a number of international composer competitions (Italy, USA, UK, and Israel) and in 2014 “Wairua” for solo harp took 1st place in the NZ Harp Society’s competition. In 2016 “American Triptych” took 1st place in a competition for the Stockton Chorale (USA). In 2017 “Are We There Yet?” took 1st place in the Australia and NZ Viola Society composer’s competition, and “Cling to Me” was placed third in the 4th Komos Choral Composition Competition (Bologna, Italy). The choir has commissioned a number of works from him, most recently “Erebus” (2015), and in 2019 will perform “Homecoming – Te Hokinga Mai”. His choral music is widely performed, especially by school and community choirs, and is published in the UK, USA, and Finland. His website is: www.dbhmusic.co.nz

     
  • Sandy Bulmer

    Picture of Sandy BulmerLike so many contraltos, I first got put in the alto section as a school girl because I could read music and manage to sing a line of harmony. I joined Auckland Choral when I was in high school and now I’ve been a member for 40 years! I started singing with my mum as a toddler, sitting on her knee while she played the piano and sang soprano and tenor Messiah arias. I used to come to Auckland Choral’s Saturday dress rehearsals in the Town Hall and follow the score in my early teenage years, and it was a natural step to join Mum in the choir when I was 15. I remember Choral Hall in Airedale Street where we used to meet (before Mayoral Drive was built). It was a dusty old building and freezing in winter, but the ladies in the alto section were very kind to me and welcomed me into the back row. Nothing really changes in that respect; the Auckland Choral altos today are a great bunch of people as well!

     
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