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“From Tallis to Rutter”—the phrase describes the vast scope of the Great British Choral Tradition. Thomas Tallis was an Elizabethan musical star in the 16th century, while five centuries later, in the same tradition, John Rutter writes some of the most imaginative choral music to be found anywhere today.

The motet Spem in Alium is in forty, yes forty— parts, and moves through myriad combinations to form a stunning vocal kaleidoscope.

Composed in 1985 as a tribute to his father, Rutter’s smooth but modern Requiem often nods fondly towards some of the composer’s own musical “fathers”, including Fauré, Mahler, and Gershwin.

Separating Tallis from Rutter, Vaughan Williams appears through his ravishing instrumental work based on everyone’s favourite English folksong Greensleeves.

Morag Atchison, Soprano
Auckland Choral
Pipers Sinfonia
Uwe Grodd, Conductor

Tickets are available at eventfinda.co.nz or phone 0800 BUYTIXS (0800 289 8497).
Price $45, concessions available.
Please note that some seats have obstructed views.

 

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Who we are: Get to know some of our choir members

  • Nigel High

    Picture of Nigel HighNigel grew up choral singing with the choirs of Kings School and Kings College in Auckland, but then took a break for the next 30 years while focusing on his career as a Consulting Engineer in Ottawa Canada where he moved with his wife in 1981. Later he joined a choir in Ottawa as a way of relieving the stresses of the daily grind, and found that he really enjoyed the challenge, stimulation, and therapy that choral singing provides. He sang with Coro Vivo Ottawa and the Ottawa Festival Chorus for many years, and part time with Auckland Choral since 2006 on his many visits back to New Zealand, before moving back to Auckland with his wife Ming, last year.  He sings as a Tenor 2.

    He thoroughly enjoys the music and camaraderie of Auckland Choral, and the high standards demanded by the professional team headed up by Uwe Grod.  While not singing, he spends as much time as possible sailing on the waters of the Hauraki gulf, and since retiring is a keen traveler and cruiser.   

     
  • Sandy Bulmer

    Picture of Sandy BulmerLike so many contraltos, I first got put in the alto section as a school girl because I could read music and manage to sing a line of harmony. I joined Auckland Choral when I was in high school and now I’ve been a member for 40 years! I started singing with my mum as a toddler, sitting on her knee while she played the piano and sang soprano and tenor Messiah arias. I used to come to Auckland Choral’s Saturday dress rehearsals in the Town Hall and follow the score in my early teenage years, and it was a natural step to join Mum in the choir when I was 15. I remember Choral Hall in Airedale Street where we used to meet (before Mayoral Drive was built). It was a dusty old building and freezing in winter, but the ladies in the alto section were very kind to me and welcomed me into the back row. Nothing really changes in that respect; the Auckland Choral altos today are a great bunch of people as well!

     
  • Pedro Silva

    Picture of Pedro Silva

    I discovered and have fallen in love with choral music while I was in high school in Lisbon. Later I joined Lisboa Cantat, a Lisbon-based symphonic choir for a few years. After coming to New Zealand, in early 2013 I joined Auckland Choral, and I have since been a member of the Bass section. 

    Alongside with choral music, I love motorbike riding, travelling and tramping the beautiful landscapes of New Zealand. Professionally, I work for the Faculty of Engineering, University of Auckland as Director of Faculty Operations.

     
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